Once I talked on the Language Lady Facebook page about how many times I had said “A paragraph is a unit of thought” in three days of teaching. (Too many to count!) And promised a post about designing paragraphs, paragraph breaks, and general paragraph help. Here you go!

Dividing paragraphs is one of the most challenging aspects of writing for young writers and adults alike (along with many other challenging aspects!). That is why when people who do not write a lot write a full page with no paragraph breaks. That is also why middle school writers start writing and have no idea when to indent–so they randomly pick a spot (“Hmmm….looks like I’ve written enough to change paragraphs now…”) and indent.

While paragraph division isn’t always simple to determine (I admit to looking at a lengthy paragraph and thinking those middle school thoughts myself at times!), there are some tips that can make the process easier.

1. Think of the “main idea.”

Remember all of those achievement tests that had you color in the little oval for a reading selection’s main idea? Well, turns out that is actually a skill you might need!

When you are writing (assuming you don’t have an amazing outline to write from–see next item!), ask yourself what the main idea of the paragraph you are writing is? Then keep writing until you start writing something that is not about that main idea!

I know that sounds simplistic, but it truly is the way to determine paragraph breaks–because, as I mentioned earlier–a paragraph is a unit of thought. When that thought changes, you should change paragraphs. Then you have a new “main idea” of the paragraph.

2. Write from an outline.

I know, outlines are for people who have more time than you have. However, if you want to write clear, concise paragraphs, you should learn to outline. (Stay tuned to Language Lady. I will teach you how to outline painlessly. Honest!)

In the fifty curriculum books that I have written over the past dozen years, every single writing project I have created has a student commit to the paragraph’s topic in an outline before anything else. I use dozens of outlining techniques in my books–Paragraph House for second graders, split paper technique for comparing/contrasting writing, formal outline for research papers, scene outlines for stories. But every type of outline I teach has one common characteristic: the Topic of Paragraph line.

When you create a paragraph-by-paragraph outline, you learn to write strong paragraphs without even realizing that you are learning to write strong paragraphs. Why? Simply because you are committing to what each paragraph will contain right off the bat. And you are forced to change paragraphs (start a new one) at the right time. Try it!

3. A paragraph generally contains three or more sentences.

I say generally because nowadays, especially on blog posts and inspirational writing, this rule of thumb is broken all the time. However, for those in school turning in reports and essays, it is still an important rule of thumb.

A paragraph might contain three or four sentences, or might contain eight or nine, but generally, a paragraph of fewer than three sentences is not truly a paragraph. And a paragraph of twelve sentences probably needs to be broken into two paragraphs (with the first paragraph being Part I of the topic and the second paragraph being Part II of the topic!).

This rule of thumb is a help to a new writer on the shorter end of the spectrum. A new writer needs to know that he can write three or four sentences for a paragraph, and it will still be a paragraph. (Let’s give those new writers every break we can!)

4. Teach very new writers to write the “paragraph is a unit of thought” way by having them write on a subject with clear paragraph topics.  

I know some of you adults are tuning me out here, and I understand! Language Lady has a diverse audience of adults who want to know where to put commas in and how to speak and write eloquently in the work place to teachers and homeschooling parents and students! So I will try to give you a little of everything!

In this instance, though, if you are a parent or a teacher (or both), this little tip can really help your young writers. (I’m all about making learning easier for young ones!) In my younger books, I like to expand from one paragraph writings to multi-paragraph writings by taking a topic that is simple to divide: Three Best Pets, Four Great Presidents, Five Zoo Animals.

By making the paragraph breaks so obvious, a new writer can’t go wrong! He is not going to write about cats in his dog paragraph. In this way, it is really like writing three one-paragraph reports and “squeezing” them together. It starts new writers out in a fool-proof method–and gives them immediate success.

So whether you are a teacher instructing a little guy in his first two

-paragraph essay or a college student writing eighteen pages of a final

research paper, always keep in the forefront of your mind that a paragraph is

a unit of thought. (And don’t forget to outline!) Smile…)

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Here are some tricks and tips I have used recently in a  Wacky Word lesson. Maybe some of these will help you remember which word is which (not witch!).  Smile…

  1. Hear—There is an ear in hear.
  2. Here—There is not an ear in here.
  3. There—It is here and there. There is a here in there!
  4. Their—The word heir, which can mean ownership, is in the    word their, and their is a pronoun that shows ownership!
  5. See—Do you see two eyes in the word see ?
  6. Boar–Boar has an a and is an animal.
  7. Then—Then has an e and means next. According to one of my students (Isaac!), then means when.
  8. Isle— Isle is like the word island.
  9. Chord—Chord has an h like chorus (both musical).
10. Compliment—Compliment has an i–I like compliments.
11. Sensor—Sensor relates to the senses.
12. Herd—Herd of deer—almost the same letters in a different order!
13. Heard—Heard has the word ear in it
14. Through—It is rough when you go through hard times
15. Threw— He threw a new screw.
16. Pair—Love is in the air for this loving pair.
17. Pare—After he caught it, he was gong to pare the hare.
18. Pear—A pear half looks like an ear—and has the word ear in it.
19. Desert—has one s and you only want to be stuck in the desert one time!
20. Dessert—has two s’—and you want two desserts!
21. Main—The main (for first) murderer was Cain—both spelled ain.
22. Mane—The lion has a mane and is not tame!
23. Its—pronoun that shows ownership—never use an apostrophe to show ownership to a pronoun; that makes a contraction.
24. It’s—always say the two words uncontracted—if you say it is when you see this word, you will never use it’s for possession—the dog lost it’s (it is!?) collar—WRONG.
25. Sense— He was tense, so he lost his sense.
26. Cents—There are one hundred cents in a dollar and one hundred years in a century.
27. Since— Since the prince was tense he began to wince.
28. Presence— Can you think of a trick?
29. Present—have you ever heard the saying that “the present is a true present”?

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Common Characteristics of Natural Readers:


1. Interaction with adults—these kids were with adults a lot—and definitely not around peers more than adults. They had adults on hand to discuss things with, to answer their questions, and to provide examples of proper speech patterns, etc.


2. Much book handling by the child—these children were surrounded with books that they were permitted to interact with. They were often found at very young ages with stacks of books around them, just looking at the pictures, making stories in their minds from the pictures, etc.


3. Print abounds and interest in print is evident by itself—not only did the homes of natural readers contain books themselves, but they also contained all type of print. The parents of these children read magazines, journals, newspapers, etc. I think the “interest in print” part probably began with something like a parent saying, “Honey, look at this whale they found beached on the coast of Florida,” as he or she brought the little one up on to her lap to see the picture that was provided with the article in today’s newspaper, etc. This type of activity causes a child to become interested in print.


4. Tapes and books are used—nowadays, of course, this would say “cd’s and books are used”; however, this is the reason why I began using book and tape sets a few times a week for my preschoolers and elementary children—and why we have used audios (talking books, radio dramas, etc.) every week of our lives since our oldest was one year old. “Tapes” and books show our children the benefits and “fun” that reading provides.


5. Memorization takes place—these natural readers often followed a certain pattern—they memorized a picture book (usually many), then through the memorization, they began making print-sound-word connections. That is, when they turned the page and recited, “If you give a mouse a cookie,” they began to understand that i-f says if and y-o-u says you. Natural readers were experts at memorizing large portions of text.


6. Interest in writing words and “language experience” activities—many years ago, there was a movement in education to replace phonics instruction with “language experience” activities (also called a “whole language approach”). Phonics proponents everywhere were up in arms at the thought of “activities” of writing what the child said (dictation) for him, making little homemade books, etc. taking the place of phonics instruction. While I am a strong phonics proponent, I believe that these “language experiences” and “whole language” activities augment the reading instruction greatly. And, of course, the natural readers in the research were exposed to these types of activities early and often. These kids were the ones who dictated thank-you notes to Mom to go to grandparents and colored a picture to send along with it; they were the ones who had a chalk board in the kitchen in which Mom or Dad wrote the day of the week each morning; they were those who “said” stories aloud and parents copied it in little “journal” books for the child. And on and on. Why wouldn’t these types of experiences and activities increase a child’s relationship with print and love for learning?


7. Experiences related to literacy and books—these obviously include the types of activities listed in number six, but these kids knew from birth that books and reading were important. They were the ones in a double stroller at the library lawn sale as toddlers—child in front seat with back seat full of picture books. They were the ones who had their own “book basket” in the corner of the nursery almost from birth. In other words, they were immersed in literacy and books from an early age.


8. Self-regulated behavior and risk taking—This characteristic related to how they “organize” their little lives. These kids would pull all of the Curious George books off the shelf and stack them up to look at after lunch. They often had little learning systems in place at ages four and five. And they were not afraid to be wrong. This, of course, stems from not being talked down to or made fun of when they did ask questions. These kids were risk takers because taking risks in learning (“Mommy, is this word (dapper) ‘Daddy’?”) yielded information that helped them in their quest to learn. The questions did not yield put downs or “you should already know this.”


9. Read to often—Obviously, a link has to be made from the squiggles on the page to the sounds that those squiggles make in order for a young child to teach himself to read. Thus, a child must be read to (or follow along with books and tapes) in order to learn to read without formal instruction. Now, this is not to say that a child who is read to will automatically learn to read early and on his own. I read aloud to our first three kids three to five hours everyday for years and years—and not one of the three was a natural, or early, reader! But it certainly created a love for print and learning in my children!

Tomorrow—how does this reading environment teach informally what could take years of instruction to learn?

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Roadmap for the week:

1. Starting with some reading help! Reading is the inverse of spelling in the same way that addition is the inverse of subtraction. Build a strong reading background, helping  your student to reach “reading fluency,” and a love for learning, and you will go a long way way in helping him or her in language arts in general–and all learning eventually.

2. Then sentence writing, including…

a. Penmanship vs writing
b. Beginning sentence writing
c. Copy work
d. Reading and writing connection
e. Writing “from his brain” and from a source for little ones

Thanks for joining us!

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